In 2002, Richard Florida became America’s best known urbanist with the publication of his book, The Rise of the Creative Class. In it, Florida posited that the “creative class,” a group which included artists, scientists and engineers, as well as educated knowledge sector professionals such as lawyers and finance workers, was the main driver of cultural and economic flourishing in America’s cities. The theory was enticing to many urban planners and municipal politicians, and cities across the country aimed to follow Florida’s advice on becoming “creative cities.”
Smithsonian Magazine: Does Creativity Breed Inequality in Cities?
